"Finding the right co-writer is like finding a missing puzzle piece": Karley Scott Collins on the art of collaboration and crafting authentic lyrics

Photo: Sony Music

Rising country singer-songwriter Karley Scott Collins talks about her songs, the vulnerability of co-writing, her love of vintage shopping in London, and why she's more comfortable on a big stage.

You've just arrived in London for your first ever UK show. What are your first impressions of the city?

It's amazing! This whole tour has been my first time outside of North America, so it's been a wild ride. Yesterday I finally had some free time and headed straight to Brick Lane. I'm a huge fan of vintage clothing and records, and I could have spent hours getting lost in those shops. London's just beautiful – the architecture, the vibe, it's all so inspiring.

You've been writing songs since you were young, and now you're navigating the Nashville co-writing scene. What's that experience been like?

It was definitely an adjustment. I spent years writing solo, pouring my heart out into songs over days or even weeks. Then suddenly I'm in Nashville, expected to write a song in a few hours with people I've never met! It's a very different process, and it requires a certain level of vulnerability.

How do you open up to strangers about personal experiences?

It takes time to build trust. You don't spill your deepest secrets to just anyone. But when you find those co-writers who really get you, it's magic. They bring a fresh perspective, a new way of expressing things that I might never have thought of on my own.

Any memorable co-writing sessions?

Writing with Charles Kelley from Lady A was a highlight. He just showed up at a writing session I was having with friends! We ended up creating a song that I've recorded for my next project. Those unexpected moments are what make Nashville so special.

You've also written with Natalie Hemby, who's a songwriting legend in her own right.

She was on my dream co-writer list! We wrote ‘Hands on the Wheel’ together. I was so nervous, but she has this amazing, big sister energy that instantly put me at ease.

You took the idea for "Hands on the Wheel" to that session. What's your usual songwriting process?

It varies. Sometimes a lyric will spark an idea, or I'll wake up with a melody in my head. I actually find it harder to start with just the music. I need a concept, a story, something to build on.

And when you're co-writing, do you focus more on the lyrics or the music?

Lyrics are definitely my strength. That's what I love about co-writing – everyone brings their own skills to the table. I'm useless with the technical side of music production, but I'm fortunate to work with incredibly talented people who can bring those lyrics to life.

Do you think you'll ever record a song you didn't write yourself?

It's important to me that my music reflects my own experiences, so right now, I'm focused on singing my own songs. But I'm not closed off to the idea. If I heard a song that truly resonated with me, I wouldn't rule it out.

You played the main stage at the O2 Arena earlier this year. How were you feeling about that?

Excited! Playing the O2 was a bucket list moment for me. Honestly, I get more nervous playing for small crowds. There's something about a big stage that just feels right.

And how did you choose which songs to play?

I was been paying close attention to the audience reaction at my previous shows on that tour, so I picked the ones that seem to connect the most.

What’s next?

I'm back in the studio with Nathan Chapman working on new music, and I can't wait to share it with everyone. This is just the beginning!

To find out more about Karley check out her official website. You can follow her on Instagram , Twitter and Facebook.